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musical harmony

[网络] 音乐和谐;音乐和谐性

网络

双语例句

  • Therefore the application of multiple-voice on most musical creation, it almost adopts the ways of European harmony.
    于是在多声部音乐的创作中所运用的和声,大多是欧洲大、小调体系的和声方法。
  • It's more important to combine some music analysis methods such as musical form and harmony according to music characteristics of different creation means and point out relative music expressions.
    更重要的是结合曲式、和声等音乐分析,根据不同创作手段的音乐特点,挖掘它的音乐内涵,并提出相应的音乐表现手法。
  • In Chapter 2, I analyze the nationality features in his musical creation from the elements of rhythm, harmony, tune and so on, trying to grasp its outstanding originality on the application of nationality musical elements and techniques.
    在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处;
  • This part consists of six aspects of musical form structure, tonality, harmony texture, melodies, rhythm, sound. The part investigates the application of Hungarian elements through analyzing musical language of Hungarian rhapsody.
    这部分从曲式结构、调式调性、和声织体、旋律、节奏、音色,六个方面着手,通过分析《匈牙利狂想曲》的音乐语言特征,探究匈牙利民族元素在这部作品中的运用。
  • As the chakras of your body's system glimmer, their Light resonates a glorious musical harmony.
    由于你身体系统脉轮闪光,它们的光共振一个华丽悦耳和声。
  • Harmonies are often absent unless one accepts the musical nuance of imitation as structured harmony.
    除非人们愿意接受仿效结构之美的细微差别,否则和谐之美往往都是不足的。
  • The writer of this thesis holds that the artistic characteristic of 《 The Marriage of FEIGARO 》 lies in the full play of musical peculiarity given by Mozart, also the harmony of music and the expression and portray of the characters.
    本人认为,歌剧《费加罗的婚礼》的艺术特征主要在于莫扎特充分的发挥了音乐的独特特性,在语言的表达、人物形象的刻画、戏剧的展开等方面都具有与音乐相融合的特点;
  • The analysis on musical techniques sums up important factors in operas that can adequately reveal characters 'personalities, such as melody, harmony and orchestration.
    在音乐分析中,对歌剧中能充分展现人物性格的旋律、和声、配器等要素结合戏剧分析进行总结。
  • Next, assumptions of principles of soundscape design is sketched based on musical aesthetic theory, and the variability, abundance and harmony of the soundscape is verified.
    之后根据音乐审美理论提出声景小品设计原则的假设,并对声景小品设计的变化性、丰富度、和谐度三个原则进行验证。
  • Musical Aesthetic Viewpoints of the Harmony During the Period of Pre-Qin Dynasty Era
    先秦时期和的音乐美学观